Qi Baishi

Verified Timeline

Lore & Background

Qi Baishi was born in Xiangtan, Hunan, and lived with his parents, grandparents, and eight younger siblings. He was schooled for less than a year due to illness, then became a carpenter. While growing up, he read the Manual of the Mustard Seed Garden, which sparked his interest in art. He first studied that manual and used opera performers as models. After turning to anyone he knew to pose, he started receiving artistic training in the gongbi (工筆) mode, featuring fine brushwork and meticulous detail. His landscape paintings came from his next mentor, Tan Pu. Qi is famed for painting in the freely expressive xieyi (寫意 'sketching thoughts') style. After establishing himself in Hunan, he began traveling in his forties, came upon the Shanghai School, and met Wu Changshuo, who became another mentor. About fifteen years later, he became close to Chen Shizeng (陳師曾) while living in Beijing. Qi's work in the early 20th century reflected tensions between tradition and modernity, stripping away polish associated with traditional élite court painting while translating folk ideas for an educated urban audience. After the Chinese Communist Party's rise to power in 1949, Qi told fellow artist Xu Beihong he feared for his life if he did not flee. When officials visited, they expressed admiration for his work. Qi saw his depictions of farm tools as analogous to working in agricultural labor. His apolitical themes largely spared him from interference; he received state endorsement, and Mao Zedong collected his work. Qi was elected to the National People's Congress and made honorary Chairman of the National Artists Association in the early 1950s. He died at age 93.

Reader's Guide

Qi Baishi's significance lies in his vast output and unique style. He is estimated to have produced between 8,000 and 15,000 distinct works throughout his life, of which 3,000 are in museums. However, since 1993, auction houses have attempted to sell over 18,000 distinct works attributed to him, making forgery and misattribution common. A painting attributed to him, Eagle Standing on Pine Tree (老鷹圖), was sold for 425.5 million yuan ($65.5 million) in 2011, becoming one of the most expensive paintings ever sold at auction, though doubts over its authenticity were later raised by the bidder. In 2016, his works held the second position by value (third by number of lots to sale) by auction. At the end of 2017, his Twelve Landscape Screens (山水十二條屏; 1925) sold for $140.8 million (931.5 million yuan) at Poly Auction in Beijing, putting him in the "$100 Million Club." Qi's work shows no Western influences, unlike most other artists at the time. Other artists praised him for the "freshness and spontaneity that he brought to the familiar genres of birds and flowers, insects and grasses, hermit-scholars and landscapes." His journal entry reads: "When I cut seals I do not abide by the old rules, and so I am accused of unorthodoxy. But I pity this generation's stupidity, for they do not seem to realize that the Chin and Han artists were human and so are we, and we may have our unique qualities too…"

Did You Know?

• Qi Baishi called himself 'the rich man of three hundred stone seals' (三百石印富翁).
• He was schooled for less than a year due to illness and became a carpenter before teaching himself to paint.
• Qi's painting Twelve Landscape Screens (1925) sold for $140.8 million in 2017, putting him in the '$100 Million Club.'
• He was the master of Hu Jieqing, the wife of writer Lao She.
• Qi told fellow artist Xu Beihong after the 1949 Communist rise to power that he feared for his life if he did not flee the country.